I am delighted to have been awarded an Artist Residency in Iceland in 2015. I am looking forward to spending 5 weeks in Iceland writing poems and creating poetryfilms in January and February 2015. My work will explore art, science and nature within the context of the Northern Lights, sulphuric volcanoes, boiling mud, and Europe’s most powerful waterfall.
PoetryFilm Blackboard was a participatory text/art project devised by Malgorzata Kitowski. Participants were invited to write or draw on a blackboard using chalk. A photograph was taken of each person’s blackboard and a montage film was made showcasing all the blackboard contributions.
PoetryFilm Blackboard was commissioned by the Southbank Centre as part of Poetry International and the Festival of Love on 18, 19, 20 July 2014 and took place at the Saison Poetry Library at the Royal Festival Hall.
PoetryFilm has been awarded a Trademark Registration Certificate by the Intellectual Property Office.
It has been a busy month of film festivals and I enjoyed both the BFI Film Festival (in London) and the Zebra Poetry Film (in Berlin).
Regulate is an exhibition showcasing recent works by 12 artists who responded to the theme of routine and repetition in contemporary art:
Thomas Bridle, Gemma Cossey, Steve Evans, Michelle Fava, Vanessa Lewis Jones, Jiwon Kim, Zata Kitowski, Roisin Mcgowan-Green, Hannah Meadwell, Audrey Salmon, Rachel Smith, Deborah Westmancoat, Gemma Cossey
Throughout the evening, artist Rachel Smith will produce durational drawings, creatively documenting the event. Overheard conversations from the evening with be used to create drawings – the words will visually merge to document overlapping and truncated narratives from the noise and dialogue around the exhibition.
Friday 7 November, 6-9pm.
I am delighted to hear that Full Stop has been selected for the forthcoming Regulate art exhibition. In this manifestation, the work will be experienced as a Morse Code audio recording (via headphones) and as a framed A1 hanging print at the gallery.
The Regulate exhibition is on the theme of routine. The exhibition will explore behavioural, visual and customary elements and present two dimensional works discussing a broad range of artistic interpretations of the habitual and optical pattern.
Key words: reflex, behaviour, form, structure, repetition, automatism, (un)conscious acts.
Regulate will be held from 7 November-5 December 2014 at The Montgomery, a multi-purpose space based in the heart of Sheffield City Centre. Various creative events and workshops will be held in the space during the exhibition.
Words & voice by Øyvind Rimbereid
Organ by Nils Henrik Asheim
Design & animation by Kristian P.
The Pipes (Norwegian: Pipene)
Written for the opening of the Stavanger Concert hall and its custom built organ, The Pipes is an ode to industrial history – the former backbone of the city’s economic and social life.
I was delighted to be invited to be a Jury Member and invited to award the Radioeins Prize at the Zebra Poetry Film Festival. Below are the comments I made before announcing the winning film and awarding the Diploma to Self-Evident Things by Piotr Bosacki.
The film was chosen on the basis of a majority vote by the audience jury team and the film was chosen for a number of reasons:
- For the strength and quality of a profound philosophical poem exploring the big questions about the human condition
- For its balance of rational and emotional, art and science, logic and feeling, mathematics and poetry
- For its kinetic visual metaphors alluding to the machines and systems of the body, as well as to the machines and systems of society, nature, and the world in which we live
- For its simultaneous timelessness and importance in the modern world today
- For its simultaneous complexity and simplicity
Zata Kitowski awarding the Radioneins Prize Diploma. It was received by Boris Nitzsche from Literaturwerkstatt Berlin on behalf of Piotr Bosacki.
Film still from Self-Evident Things / Rzeczy Oczywiste by Piotr Bosacki.
The winners of the 7th ZEBRA Poetry Film Festival have been announced. Congratulations to:
La’eb Al Nard / The Dice Player
Film: Nissmah Roshdy – Egypt 2013, 3 min
Poem: La’eb Al Nard by Mahmoud Darwish
Pipene / The Pipes
Film: Kristian Pedersen – Norway 2014, 3 min
Poem: Pipene by Øyvind Rimbereid
essen – stück mit aufblick
Film: Peter Böving – Germany 2013, 10 min
Poem: essen – stück mit aufblick by Ernst Jandl
The Aegean or the Anus of Death
Film: Eleni Gioti – Greece 2014, 7:30 min
Poem: The Aegean or the Anus of Death by Jazra Khaleed
The ZEBRINO prize for the Best Poetry Film for Children and Young People was won by:
Death for a Unicorn
Film: Riccardo Bernasconi, Francesca Reverdito – Switzerland 2013 15:00 min
Poem: Death for a Unicorn by Francesca Reverdito
The radioeins Audience Prize, awarded by a jury of radioeins listeners, has gone to:
Rzeczy oczywiste / Self-evident Things
Film: Piotr Bosacki – Poland 2013, 10 min
Poem: Rzeczy oczywiste by Piotr Bosacki
Faux Amis by Érik Bullot was shown at PoetryFilm Equinox in September 2014. Another of his films, Tongue Twisters, is also in the PoetryFilm Archive. Below is an insightful interview with Érik Bullot* about language, sound and cinema.
In your artistic research, language and voice seem to be central themes. When and how did this interest start?
I have been always interested by the issue of language, especially the topic of imaginary languages. As you know, the medium of film was originally imagined as an universal language or esperanto. It was a political dream. When I began making films, I made many silent films with the purpose to get a visual language. During my first film made in video, I was very struck by the relationships between video and writing. I think there is a continuity between these different mediums. Video is a kind of writing machine. I made a first film, Speaking in Tongues (2005), based on imaginary languages. It was the first step of a series of films about translation, misunderstandings and puns: Tongue Twisters (2011), about tongue twisters, shot in Berkeley; Faux amis(2012), a film about false friends between French and English, shot in Buffalo; Geographical Fugue (2013), based on a musical piece by Ernst Toch; The Alphabet Revolution (2014), a documentary about the change of alphabet in Turkey. There are always many languages in my film. I like to use linguistic elements as plastic material likely to be deformed, transformed, translated. My dream is making slapstick films with language.
You mainly work with visual media, such as video, photographs, texts and performances. What are your artistic references for what regards sound?
I am interested by artists which work is located between visual and sound fields. I was very impressed for example by the blind avantgarde film made by the German artist and filmmaker Walther Ruttmann, Weekend: a black screen with just a sound piece on the soundtrack. I like very much the works of Cage (Roaratorio) and Kagel (his film Ludwig van) and the experimental filmmakers who work on multilingualism as Peter Rose, Werner Nekes or Michael Snow. I have also a strong interest for the linguistic dimension of slapstick tradition, especially the films of Marx Brothers where you can see a ventriloguist situation between the three brothers.