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PoetryFilm at Kosmopolis, CCCB Barcelona, 19-20 March 2015

CCCB

PoetryFilm will present two programmes at the Kosmopolis Amplified Literature Festival at CCCB Barcelona on 19 and 20 March 2015. 

Both programmes are listed below.

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PoetryFilm News: February 2015

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Feb 1

“Founded by artist Zata Kitowski over a decade ago, the PoetryFilm art project continues to play with the avant-garde” – aqnb, September 2014

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“A great event – one of the most interesting and invigorating I have been to this year!” – Arts Council England, 2014

The Double Negative (review of the Send & Receive symposium)

Below is a review of the Send & Receive: Poetry, Film & Technology in the 21st Century symposium written by Jay Bernard for the arts criticism journal, The Double Negative.

Trade Tattoo, Len Lye. GB 1937. Courtesy of the Len Lye Foundation and The British Postal Museum and Archive. From material preserved and made available by the New Zealand Film Archive Ngā Kaitiaki O Ngā Taonga Whitiāhua

Film meets poetry meets technology: as FACT’s Type Motion exhibition draws to a close, Jay Bernard assesses the changing perception of poetry in an ever increasing digital age…

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Next stop: Reykjavik

“KISS ME” 900 year-old Viking code deciphered for Valentine’s Day

A 900 year-old runic code used by ancient Vikings has been cracked for the first time, revealing a simple message: ‘Kiss me!’.KISS ME

The jötunvillur code has baffled experts for years as one of the many ciphers that were used to exchange love notes and boasts.

K. Jonas Nordby, a runeologist from the University of Oslo, was able to crack the puzzle of the jötunvillur code after he noticed that two individuals had signed their names on a piece of wood both in code and in the regular runic alphabet. He says that the message is typical of the light-hearted use of runes at the time.

“The code gives many possible readings when deciphered and so cannot have been used for ordinary communication,” Nordby told The Independent. “Therefore I believe it is a kind of playful writing practice that was used to learn the names of the runes and their sound values.”

Nordby says that the exchange of these brief runic messages was a common part of Scandinavian Viking and Medieval society, and that the missives – carved mostly into wood and bone – could be used for anything from love-notes to receipts.

Runes are not a language, but an Old Germanic alphabet that is thought to have been developed some time in the first century CE. Although only nine examples of the jötunvillur code have been found, Nordby says that there are other ciphers that are more common.

An example of the more elaborate rune codes where the text has been written using the hairs of the beards.

Credit: Aslak Liestol/Museum of Cultural History

“Rune sticks and bone was used for all kinds of everyday messages and writing practice,” says Nordby, “And there are lots of ordinary runic inscriptions from the 1100s to 1300s with romantic messages. One examples reads: ‘So much do I love another man’s woman that the wide mountains shiver. Wonderful ring-woman! We love each other so much that the earth explodes!’”

Sometimes, the playfulness of these codes even strayed into the pictorial, with the vertical ‘staves’ and diagonal ‘branches’ of the runic alphabet woven into doodles including faces with beards and the fins of fish.

Runes were used across Northern Europe including England until around 1000 (the use continued in Scandinavia until the 15th Century) and there was obviously some prestige associated with their use. One example from the Orkney Islands reads more like a piece of graffiti, boasting “These runes were carved by the most rune-literate man west of the sea”.

Nordby’s work has been enthusiastically received by the academic community, with Henrik Williams, an expert on runes from Uppsala University, hailing the discovery as “pure detective work”.

“Above all, it helps us understand that there were more codes than we were aware of. Each runic inscription we interpret raises our hopes of soon being able to read more,” he told Science Nordic.

Williams also agrees that in the case of the jötunvillur code it’s likely that the runes were being used as part of the learning process. “They challenged the reader, demonstrated skills, and testify to a joy in reading and writing,” he said.  “But personally I think jötunvillur is an idiotic code, because whoever made it chose a system that is so hard to interpret.”

Article by James Vincent in The Independent published in February 2015

“Where language ends, music begins” – Zbigniew Karkowski (experimental musician, 1958-2013)

The full article by Zbigniew Karkowski (written in 1992) is below. The quotation is taken from the end of the article.

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“Send & Receive: Poetry, Film & Technology” symposium at FACT: transcript of presentation by Zata Kitowski

Click on the image to download the full transcript of the presentation given at the “Send & Receive: Poetry, Film & Technology in the 21st Centurysymposium at FACT Liverpool on Thursday 5 February 2015. (20 pages)

The content of this presentation is taken from Zata Kitowski’s ongoing poetry and film research. This presentation was written to provoke discussions about aspects of poetry, film and technology at the Send & Receive: Poetry, Film & Technology in the 21st Century symposium at FACT on 5 February 2015. Thanks to Roger McKinley for the invitation, and to the team at FACT. The author acknowledges the support of Fjuk Art Centre in Husavik (Iceland) who awarded a four-week Artist-Researcher Residency on the north coast of Iceland, enabling the continuation of this research.

© Zata Kitowski 2015

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“It’s a pity we don’t whistle at one another, like birds. Words are misleading.”

Halldor Laxness, Under The Glacier 

(Icelandic writer, 1902-1998)

Zata awarded an Artist Residency in Denmark in 2015

AHS logo high resPress Release

Kunst i Slusen ART HVIDE SANDE is again arranging an “Artist Colony” from 1 – 25  June 2015. Artworks produced during this time will be exhibited at the annual exhibition that takes place from 9 –  21 August 2015. As a new feature this year, the “Artist Colony” will take place in both Hvide Sande and in Søndervig.

Towards the end of the 1800s, Holmsland Klit, and the area around Nymindegab, south of Hvide Sande, became the focus of a small artists colony, with Danish artists such as Laurids Tuxen, Mogens Ballin and Erik Henningsen.

During 1 – 25 June, the selected artists will be working in ateliers in Hvide Sande and Søndervig. Visitors will be able to visit the artists and see the art that is being produced for the exhibition in August. See www.kunstislusen.dk or search for ART HVIDE SANDE on Facebook for more information on atelier opening times and locations.

Kunst i Slusen ART HVIDE SANDE is proud to present the following artists from both Denmark and abroad:

 

Zata Kitowski – www.poetryfilm.org

Birthe Nissen – www.birthesmalerier.dk

Nick Taylor – www.bynicktaylor.com

Erik Peitersen – www.erikpeitersen.dk

Sonia Sawińska – http://www.soniasawinska.pl

 

The theme for 2015 is “Freedom”. In 2015 Denmark celebrates the 70th anniversary of the end of the German occupation that took place during the Second World War. We can learn from history and once again celebrate a united Europe that co-operates across borders. Here on the West coast of Denmark, with its rugged countryside of beaches, heathland and fjords, many feel freedom of a different sort – a wonderful landscape right on your doorstep. So our theme for 2015 is “Freedom” in all its aspects.

Since 2008, the not-for profit organisation Kunst i Slusen ART HVIDE SANDE has organised annually an art exhibition that is held in the unique industrial space where the machinery that controls the sluices between the sea and the fjord is housed. Approximately 120 metres long and 4 metres wide, this amazing space is only open to the public during these exhibitions that attract over 5000 visitors.

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Happy National Libraries Day 2015

To mark the occasion of National Libraries Day 2015, here is a photograph of the Librairie Sound Art at Le Bon Acceuil sound art gallery in Rennes, France, taken in October 2014.

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