PoetryFilm News: January 2016

Tags: #arts, #artscouncil, #film, #POETRY, #poetryfilm, 16mm, 35mm, 8mm, ace, art, art film, artist film, artists’ moving image, arts council england, artworks, BBC radio 3, BBC radio 4, bfi, bfi audience network, body politic, british film institute, cine poem, cine poetry, cine verse, Cine verses, cinema poem, cinema poetry, cinematic poem, cinematic poetry, cinepoem, cinepoetry, cineverses, colour, communication, concrete, concrete poetry, crossing the border, cyclop, cyclops, design, digital, duration, Dziga Vertov, emma-louise williams, emotion, FACT, film, film hub london, film london, film poem, Film Poems, film poetry, filmpoem, filmpoems, filmpoetry, Germaine Dulac, http://www.poetryfilm.org, installation, kinetic poem, kinetic poetry, Les Figues, matthew sweet, Maya Deren, Mayakovsky, meaning, motion poem, motion poetry, motionpoems, motionpoetry, moving image, moving poem, moving poems, moving poetry, moving text, night mail, PBS, Peter Symes, poem film, poem films, poemfilm, poetic, poetics, poetry, poetry and film, poetry film, poetry films, poetry in film, poetry on film, poetry see, poetry seen, poetry society, poetry vision, poetryfilm, poetryfilm archive, poetryfilm kanal, poetryfilm magazine, poetryfilm.org, poetryfilmarchive, poetryfilmkanal, poetryfilmkanal magazine, poetryfilmorg, poetrysee, poetryseen, poetryvision, politics, print screen, rabbit heart, Redell Olsen, russian experimentalists, screen poem, screen poems, screen poetry, screenpoem, screenpoems, seen poetry, seenpoetry, semantic, semantics, semiotic, semiotics, simon armitage, technology, text on screen, the film programme, tony harrison, type, type motion, typeface, typography, verse film, versefilm, video poem, video poetry, videopoem, videopoetry, visible language, visible language journal, visible verse, vision poem, vision poetry, visual communication, visual poem, visual poetry, visual verse, W H Auden, www.poetryfilm.org, zata banks, zebra, zebra poetry film