PoetryFilm News: February 2015

Tags: #arts, #artscouncil, #film, #poetry, #poetryfilm, ace, AHRC, art film, ART HVIDE SANDE, artist film, arts council england, arts humanities research council, bfi audience network, broadcast, CCCB, CCCB Barcelona, cine poem, cine poetry, cinepoem, cinepoetry, colour, communication, concrete, concrete poetry, cyclop, cyclops, denmark, design, emotion, FACT, FACT Liverpool, film, film hub london, film poem, Film Poems, film poetry, filmpoem, filmpoems, filmpoetry, fjuk, fjuk art centre, full stop, http://www.poetryfilm.org, husavik, hvide sande, iceland, kinetic poem, kinetic poetry, kosmopolis, language, leeds, leeds university, Les Figues, malgorzata kitowski, meaning, morse code, moving poem, moving poems, moving poetry, moving text, multimodal, multimodal semiotics, pararchive, PBS, poem film, poem films, poemfilm, poetic, poetics, poetry, poetry film, poetry films, poetry society, poetryfilm, poetryfilm archive, poetryfilm.org, poetryfilmorg, print screen, rabbit heart, radiocity, Redell Olsen, screen poem, screen poems, screen poetry, screenpoem, screenpoems, semantic, semantics, semiotic, semiotics, Spain, symposium, tate, tate britain, technology, text on screen, type, type motion, typeface, typography, video poem, video poetry, videopoem, videopoetry, visible verse, visual poem, visual poetry, www.poetryfilm.org, zata kitowski, zebra