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Posts from the ‘Film’ Category

“Founded by artist Zata Banks over a decade ago, the PoetryFilm art project continues to play with the avant-garde” – aqnb

PoetryFilm is the influential research art project and screening series founded by Zata Banks FRSA in 2002 to celebrate experimental text/image/sound screening and performance artworks, and to explore semiotics and meaning-making. Since 2002, PoetryFilm has produced over 90 events at cinemas, galleries, literary festivals and academic institutions – including Tate Britain, The ICA, Southbank Centre, Cannes Film Festival, CCCB Barcelona, O Miami, Freud Museum London, and Curzon Cinemas. Lectures include sessions for MA Creative Writing (Warwick University), MA Filmmaking (National Film & Television School), MA Visual Communication (Royal College of Art), and BA Graphic Design (University of Lincoln). Zata Banks has judged poetry film prizes for the Southbank Centre (London), Zebra Festival (Berlin), CYCLOP Video Poetry Festival (Kiev, Ukraine), Apples & Snakes poetry organisation (UK) and Carbon Culture Review art+literature+technology journal (USA).

In 2014, Arts Council England funded the cataloguing of the entire PoetryFilm Archive, which at present contains over 1,000 artworks. In 2015, The British Film Institute awarded funding to curate and produce three PoetryFilm Paradox events for the BFI LOVE season.

PoetryFilm is one of the British Council’s listed Experimental Film organisations, is an accredited member of Film Hub London, part of the BFI Audience Network, and holds a trademark awarded by the Intellectual Property Office.

A great event – one of the most interesting and invigorating I have been to this year!” – Arts Council England.

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Zata Banks and Roxana Vilk at The Scottish Poetry Library, 3 December 2015

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Enjoy a curated selection of short film artworks, chosen for their alignment with poetic structures and experiences, and with the visual, verbal and aural languages of poetry in various forms introduced by Zata Banks, Director of PoetryFilm, plus a new short film by Roxana Vilk. Award-winning British-Iranian filmmaker Vilk has over the past few years made films about poets from both Britain and the Middle East, not least her acclaimed Poets of Protest series made for Al-Jazeera in 2012. PoetryFilm is the influential research art project founded by Zata Banks in 2002, to explore and exhibit experimental text / image / sound material.

3 December 2015 at 6:30pm
Scottish Poetry Library
5 Crichton’s Close EH8 8DT Edinburgh
£5 / £4
Book via Eventbrite
Call the Scottish Poetry Library on 0131-557-2876

Send & Receive: Poetry, Film & Technology in the 21st Century (symposium at FACT Liverpool, part of the Type Motion exhibition)

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FACT, in association with the University of Liverpool, PoetryFilm and The Poetry Society, is pleased to invite you to imagine the future of poetry at our symposium Send & Receive: Poetry, Film & Technology in the 21st Century.  With presentations from artists, scientists and thought leaders, the day examines innovative platforms involved in contemporary poetic practices.

Part of the Type Motion exhibition still running in FACT. 

The symposium will include three distinct discussion areas, with audiences invited to join facilitated discussions after each segment.  Confirmed speakers include George Szirtes (poet and translator), Deryn Rees Jones (poet and director of Centre for New and International Writing), Zata Kitowski (Director of PoetryFilm), Marco Bertamini and Georg Meyer (Visual Perception Labs UoL), Suzie Hanna (Animator and Professor of Animation Education) and Jason Nelson (hypermedia poet and artist, Australia).

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ICO Archive Screening Day Programme: This Is Now

This-is-NowIn the early 1980s clubbers, art students, new romantics and members of the post-punk scene used inexpensive, domestic technology to find new modes of expression and subvert the mainstream media. The DIY approach of punk was powerfully reborn.

The period also saw new perspectives and voices emerge. More female, gay and black filmmakers pushed themselves forward and often they were friends; squatting flats, clubbing and developing new styles and techniques together. ‘Scratch video’ artists meanwhile cut-up pre-existing material to create startling new juxtapositions and reveal hidden meanings, and had an extraordinary impact.

These films focus on work from the early 80s that explored the blurred lines between media images and identity, creating new dialogues between the self and the world. Technology appeared to ease life, make things more exciting yet also create gaps between people. Artists considered what images and technology could mean and be in their fullest sense.

Weaving film and video together, often utilsing religious imagery, and introducing colour, effects and surface texture, filmmakers generated a new, vividly transcendental style by the end of the post-punk era.  Key examples of this sensual, visually mature work are presented alongside other dynamic pieces that explore the dreamlike state.* The films are listed below.

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ICO Archive Screening Day Programme: The Wonderful World of Colour

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Colour has been used in silent film since its very beginning – as spectacle in its own right, as a means of underscoring a narrative by addressing the senses and emotions of the audience, and in relation to the opening up of a world of colour in other popular art forms.

In this selection you will find glorious examples of hand colour, tinting and toning, stencil colour from the sound era as well as Gasparcolor and Technicolor from the sound era.*

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PoetryFilm invited to attend the ICO Archive Screening Day at the BFI, Thursday 4 December

PoetryFilm has been invited to be a delegate at the Archive Screening Day event at the BFI Southbank organised by the ICO (Independent Cinema Office). Designed for independent exhibitors, this will be an industry screenings event showcasing films from the UK’s national and regional film archives – extremely rich resources.

The Archive Screening Day sessions are outlined below and the archive film programmes will be posted here separately.

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Magic Mirror: Sarah Pucill

Magic Mirror translates the startling force of French surrealist Claude Cahun’s photographs into a choreographed series of tableaux vivants. Re-staging Cahun’s black and white images with selected extracts from her book Aveux Non Avenus (Confessions Untold), the film explores the links between Cahun’s photographs and writings. The kaleidoscope aesthetic that runs through the film serves not only to weave between image and word but also between the work of Cahun and the films of Sarah Pucill, creating a dialogue between two artists who share similar iconography and concerns. The screening will be followed by a Q&A with Sarah Pucill and Helena Reckitt.*

3 December, 7pm, JW3 Cinema, London

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