Posts tagged ‘berlin’
It has been a busy month of film festivals and I enjoyed both the BFI Film Festival (in London) and the Zebra Poetry Film (in Berlin).
Words & voice by Øyvind Rimbereid
Organ by Nils Henrik Asheim
Design & animation by Kristian P.
The Pipes (Norwegian: Pipene)
Written for the opening of the Stavanger Concert hall and its custom built organ, The Pipes is an ode to industrial history – the former backbone of the city’s economic and social life.
The winners of the 7th ZEBRA Poetry Film Festival have been announced. Congratulations to:
La’eb Al Nard / The Dice Player
Film: Nissmah Roshdy – Egypt 2013, 3 min
Poem: La’eb Al Nard by Mahmoud Darwish
Pipene / The Pipes
Film: Kristian Pedersen – Norway 2014, 3 min
Poem: Pipene by Øyvind Rimbereid
essen – stück mit aufblick
Film: Peter Böving – Germany 2013, 10 min
Poem: essen – stück mit aufblick by Ernst Jandl
The Aegean or the Anus of Death
Film: Eleni Gioti – Greece 2014, 7:30 min
Poem: The Aegean or the Anus of Death by Jazra Khaleed
The ZEBRINO prize for the Best Poetry Film for Children and Young People was won by:
Death for a Unicorn
Film: Riccardo Bernasconi, Francesca Reverdito – Switzerland 2013 15:00 min
Poem: Death for a Unicorn by Francesca Reverdito
The radioeins Audience Prize, awarded by a jury of radioeins listeners, has gone to:
Rzeczy oczywiste / Self-evident Things
Film: Piotr Bosacki – Poland 2013, 10 min
Poem: Rzeczy oczywiste by Piotr Bosacki
Zata Kitowski, a British artist and founder of PoetryFilm
1. How can poetry and film unite?
Both poetry and film either describe experiences, or are experiences in themselves, so in that sense they’re already united… there are poetic aspects to most films, and, equally, poetry uses techniques adapted from cinema such as jump-cut editing and montage, etc. The greatest potential in this context lies in using the Poetry Film concept as a point of focus for exploring and amplifying certain aspects.
2. Has poetry film become our last resort in an increasingly rational world?
A rational thought process is quite useful when crossing a road! It’s been argued that new languages emerge when there is some form of information overload, and poetry films offer opportunities for creating expressions, and communicating messages and meanings in new ways. We’re not yet in a position to assess whether poetry film is our “last” resort; we will be able to judge this at some point in the future, and maybe poetry film will be shown to have been the beginning of a movement.
3. How can poetry film be of value to us in our modern times?
Poetry films open up new ways of engagement, new audiences, and new means of self-expression, and provide rich potential for exploring the creation and perception of emotion and meaning. This in turn enables us to connect with and communicate with people in hopefully innovative ways.
4. Is love still possible in the EU?
Yes, of course.